D’Addario XPND Pedal Power Battery Kit Review: Get Juiced
Once everything was spaced out, I attached the adapter by lining up the color-coded...
Yamaha TAG3 C Acoustic Guitar Review: Old Looks, New Tricks
For all the fancy electric guitars and amps and the wide array of pedals...
Ableton Move Review: A Perfect Tool for Traveling DJs
Drum Rack has its limitations, too. Pads have to use the new Drum Sampler,...
Elektron Digitakt II Review: The Most Versatile Sampler and Sequencer
The original Digitakt sampler and sequencer, despite being seven years old, remains an incredibly...
Moog Spectravox Review: OK Vocoder, Excellent Toy
The filter bank is what makes the Spectravox unique in Moog’s lineup of midrange...
How the ‘Slamming Door’ Sound Became Embedded in Hip-Hop History
Similar to the G-Funk sounds that still make plenty of cameos in West Coast...
Moog Muse Review: A Machine for Musical Inspiration
In 2018 Moog introduced its first analog polysynth in nearly three decades, the Moog...
Review: Strymon BigSky MX
Not long ago I unequivocally declared Meris’ Mercury X (9/10, WIRED Recommends) the best...
Polyend Tracker+ Review: Powerful but Niche
Polyend’s Tracker+ is a significant update to its powerful (if somewhat anachronistic) sample-based groovebox,...
Meris Mercury X Review: The Ultimate Reverb Pedal
I am, by nature, a skeptic. When something generates a lot of hype, I...