{"id":12196,"date":"2024-08-07T04:50:48","date_gmt":"2024-08-07T04:50:48","guid":{"rendered":"https:\/\/topat10.com\/?p=12196"},"modified":"2024-08-07T04:50:48","modified_gmt":"2024-08-07T04:50:48","slug":"arturia-audiofuse-16rig-audio-interface-review-so-many-inputs","status":"publish","type":"post","link":"https:\/\/topat10.com\/?p=12196","title":{"rendered":"Arturia AudioFuse 16Rig Audio Interface Review: So Many Inputs"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p><span class=\"lead-in-text-callout\">For as long<\/span> as music gear companies have been making audio interfaces, they\u2019ve assumed that most people in the market care only about plugging as many microphones into their computer as possible. They might have a couple quarter-inch inputs in front for \u201cinstruments,\u201d but the market dominance of interfaces that devote the bulk of their real estate to inputs with mic preamps and XLR jacks has gone unquestioned and unchallenged for far too long. What about boomer gearheads with racks of vintage preamps who don\u2019t want chintzy Guitar Center\u2013grade circuity coloring their signal? Or the synth nerds who need a hassle-free hub for their many winding paths of modular goodness?<\/p>\n<p>Some of the most innovative gear answers questions that aren\u2019t being asked, and Arturia has been ahead of the curve on these matters for the better part of a decade. Known best for their durable MIDI controllers and Behringer-beating budget synths, the French firm turned heads when it dipped its toes in the crowded waters of the audio interface market with <a data-offer-url=\"https:\/\/www.arturia.com\/products\/audio\/audiofuse\/overview\" class=\"external-link\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/www.arturia.com\/products\/audio\/audiofuse\/overview&quot;}\" href=\"https:\/\/www.arturia.com\/products\/audio\/audiofuse\/overview\" rel=\"nofollow noopener\" target=\"_blank\">its AudioFuse series<\/a>. These durable and stylish little boxes made it simple for recording artists of all stripes to capture ideas with little effort, all at a price point that hovered in a comfortable middle ground between the bargain basement junk that litters Amazon and the \u201cprosumer\u201d studio centerpieces offered by glitzier brands like Audient and Universal Audio. The addition of USB hub ports for connecting gear like USB MIDI controllers, keyboards, and other common peripherals was a \u201cWhy didn\u2019t anyone think of this sooner?\u201d moment for the ages. To date, the <a data-offer-url=\"https:\/\/www.amazon.com\/Arturia-MiniFuse-USB-C-Audio-Interface\/dp\/B09HL4GZF9\" class=\"external-link\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/cna.st\/affiliate-link\/2FTC5bHweKNXne12wroK9pDAi5BtbSzoqJ6Y7WSGk65sYUcAzSE9Z7vMNRwTbYbSMXjKpG4tHp7c6Xh9mGgFjysH5zeUqMWjxUm3cGo4GXVSMdmxBromhxbH5vsxwu9V4NS511cpdfVeL8chJ6bRKySP8ZBapso2g6QBBEKYDRw5NqLB75bxSMi1YBnQS&quot;}\" href=\"https:\/\/cna.st\/affiliate-link\/2FTC5bHweKNXne12wroK9pDAi5BtbSzoqJ6Y7WSGk65sYUcAzSE9Z7vMNRwTbYbSMXjKpG4tHp7c6Xh9mGgFjysH5zeUqMWjxUm3cGo4GXVSMdmxBromhxbH5vsxwu9V4NS511cpdfVeL8chJ6bRKySP8ZBapso2g6QBBEKYDRw5NqLB75bxSMi1YBnQS\" rel=\"sponsored noopener\" target=\"_blank\">MiniFuse 2 ($122)<\/a> is my favorite interface for quick and easy iPad-based audio production.<\/p>\n<p>As they move upmarket with the AudioFuse 16Rig, Arturia answers another important question no one is asking: Would anyone pay $1,299 for a rack-mount interface that trades preamps for a mind-boggling array of inputs and outputs? A month with the 16 inputs and eight outputs offered by this 1U dynamo of routing and workflow convinced me the answer is a resounding \u201cYes.\u201d<\/p>\n<p><native-ad position=\"in-content\" shoulddisplaylabel=\"true\"\/><\/p>\n<figure class=\"AssetEmbedWrapper-eVDQiB byBkf asset-embed\">\n<div class=\"AssetEmbedAssetContainer-eJxoAx dBHGoQ asset-embed__asset-container\"><span class=\"SpanWrapper-umhxW kGxnNB responsive-asset AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset\"><picture class=\"ResponsiveImagePicture-cWuUZO dUOtEa AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset responsive-image\"><noscript><img decoding=\"async\" alt=\"Audio devices stacked on a rolling cart each with many input ports beside a desk and a set of audio pedals on the floor\" class=\"ResponsiveImageContainer-eybHBd fptoWY responsive-image__image lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/media.wired.com\/photos\/66b1445c58a1faa022e01ea1\/master\/w_1600%2Cc_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Front-Stacked-Reviewer-Photo-SOURCE-Pete-Cottell.jpg\" data-sizes=\"auto\" data-srcset=\"https:\/\/media.wired.com\/photos\/66b1445c58a1faa022e01ea1\/master\/w_120,c_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Front-Stacked-Reviewer-Photo-SOURCE-Pete-Cottell.jpg 120w, https:\/\/media.wired.com\/photos\/66b1445c58a1faa022e01ea1\/master\/w_240,c_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Front-Stacked-Reviewer-Photo-SOURCE-Pete-Cottell.jpg 240w, https:\/\/media.wired.com\/photos\/66b1445c58a1faa022e01ea1\/master\/w_320,c_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Front-Stacked-Reviewer-Photo-SOURCE-Pete-Cottell.jpg 320w, https:\/\/media.wired.com\/photos\/66b1445c58a1faa022e01ea1\/master\/w_640,c_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Front-Stacked-Reviewer-Photo-SOURCE-Pete-Cottell.jpg 640w, https:\/\/media.wired.com\/photos\/66b1445c58a1faa022e01ea1\/master\/w_960,c_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Front-Stacked-Reviewer-Photo-SOURCE-Pete-Cottell.jpg 960w, https:\/\/media.wired.com\/photos\/66b1445c58a1faa022e01ea1\/master\/w_1280,c_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Front-Stacked-Reviewer-Photo-SOURCE-Pete-Cottell.jpg 1280w, https:\/\/media.wired.com\/photos\/66b1445c58a1faa022e01ea1\/master\/w_1600,c_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Front-Stacked-Reviewer-Photo-SOURCE-Pete-Cottell.jpg 1600w\" sizes=\"100vw\"\/><\/noscript><\/picture><\/span><\/div>\n<p><span class=\"BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptionCredit-ejegDm iUEiRd isTgyB fNaHcW caption__credit\">Photograph: Pete Cottell<\/span><\/p>\n<\/figure>\n<h2>Audio Infusions<\/h2>\n<p>Patience and spontaneity are the yin and yang of lo-fi bedroom musicians and revered producers alike. Creativity can hit at any time, but you\u2019ll need to spend untold hours in advance plugging things in to foster an environment that makes the process of sitting down and hitting the record button as frictionless as possible.<\/p>\n<p>I spent a few afternoons routing my Line 6 Helix, HX Effects, synths, and a pedalboard full of effects from brands like Chase Bliss and Walrus Audio through a basic patchbay and into the various ins and outs of the AudioFuse. It took less than an hour to wrap my head around how the accompanying software could lead me to a \u201cset it and forget it\u201d setup that would be ready to go at a moment&#8217;s notice.<\/p>\n<p>The software is relatively straightforward, with predictable layouts and functions nested in its I\/O, mixer, and routing matrix pages. The mixer page starts off empty and requires channels to be \u201cadded\u201d to become active, which took some getting used to, but this and the I\/O page will feel immediately familiar to <a href=\"https:\/\/www.wired.com\/story\/best-daw-recording-software\/\">anyone who uses a DAW<\/a> with any regularity.<\/p>\n<figure class=\"AssetEmbedWrapper-eVDQiB byBkf asset-embed\">\n<div class=\"AssetEmbedAssetContainer-eJxoAx dBHGoQ asset-embed__asset-container\"><span class=\"SpanWrapper-umhxW kGxnNB responsive-asset AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset\"><picture class=\"ResponsiveImagePicture-cWuUZO dUOtEa AssetEmbedResponsiveAsset-cXBNxi eCxVQK asset-embed__responsive-asset responsive-image\"><noscript><img decoding=\"async\" alt=\"Screenshot of an audio interface app showing the routing mix\" class=\"ResponsiveImageContainer-eybHBd fptoWY responsive-image__image lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/media.wired.com\/photos\/66b144656d7407a06205c310\/master\/w_1600%2Cc_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Screenshot-Control%2520Center%2520Routing%2520Mix-SOURCE-Pete-Cottell.jpg\" data-sizes=\"auto\" data-srcset=\"https:\/\/media.wired.com\/photos\/66b144656d7407a06205c310\/master\/w_120,c_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Screenshot-Control%20Center%20Routing%20Mix-SOURCE-Pete-Cottell.jpg 120w, https:\/\/media.wired.com\/photos\/66b144656d7407a06205c310\/master\/w_240,c_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Screenshot-Control%20Center%20Routing%20Mix-SOURCE-Pete-Cottell.jpg 240w, https:\/\/media.wired.com\/photos\/66b144656d7407a06205c310\/master\/w_320,c_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Screenshot-Control%20Center%20Routing%20Mix-SOURCE-Pete-Cottell.jpg 320w, https:\/\/media.wired.com\/photos\/66b144656d7407a06205c310\/master\/w_640,c_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Screenshot-Control%20Center%20Routing%20Mix-SOURCE-Pete-Cottell.jpg 640w, https:\/\/media.wired.com\/photos\/66b144656d7407a06205c310\/master\/w_960,c_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Screenshot-Control%20Center%20Routing%20Mix-SOURCE-Pete-Cottell.jpg 960w, https:\/\/media.wired.com\/photos\/66b144656d7407a06205c310\/master\/w_1280,c_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Screenshot-Control%20Center%20Routing%20Mix-SOURCE-Pete-Cottell.jpg 1280w, https:\/\/media.wired.com\/photos\/66b144656d7407a06205c310\/master\/w_1600,c_limit\/Arturia-AudioFuse-16Rig-Audio-Interface-Screenshot-Control%20Center%20Routing%20Mix-SOURCE-Pete-Cottell.jpg 1600w\" data-sizes=\"100vw\"\/><\/noscript><\/picture><\/span><\/div>\n<p><span class=\"BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptionCredit-ejegDm iUEiRd isTgyB fNaHcW caption__credit\">Photograph: Pete Cottell<\/span><\/p>\n<\/figure>\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>For as long as music gear companies have been making audio interfaces, they\u2019ve assumed that most people in the market care only about plugging as many microphones into their computer as possible. They might have a couple quarter-inch inputs in front for \u201cinstruments,\u201d but the market dominance of interfaces that devote the bulk of their [&hellip;]<\/p>\n","protected":false},"author":340,"featured_media":12197,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[703],"tags":[1877,988,769,745,744],"class_list":["post-12196","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-technology","tag-audio-music","tag-music","tag-review","tag-reviews","tag-shopping"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Arturia AudioFuse 16Rig Audio Interface Review: So Many Inputs | Unlock Informed Choices with Us<\/title>\n<meta name=\"description\" content=\"This fancy audio interface makes 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Cottell","author_link":"https:\/\/topat10.com\/?author=340"},"uagb_comment_info":0,"uagb_excerpt":"For as long as music gear companies have been making audio interfaces, they\u2019ve assumed that most people in the market care only about plugging as many microphones into their computer as possible. 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